Last seen: Tue 11 May, 2021
: How to achieve wavy text effect on Illustrator I would like to achieve the "Nature" Text effect. If this effect has a name I can search for it, but I don't know where to start. Thank you.
I would like to achieve the "Nature" Text effect.
If this effect has a name I can search for it, but I don't know where to start.
: Re: How long are designers expected to keep client files? A client recently emailed me asking for the source files from a project I did for them two years ago. I don't have the source files since
The short answer:
You should keep the files as long as is specified in the contract.
I've worked with clients who wanted everything and have me delete all raw material and I've worked with clients where we kept a backup for a period of time.
But always: as specified in the contract, that way you can't go wrong.
: Tips for designing a logo? I just joined these boards in hope to find some guidance. I am not particularly a graphic designer, but I am working on designing my own logo. I have limited knowledge
I just joined these boards in hope to find some guidance. I am not particularly a graphic designer, but I am working on designing my own logo. I have limited knowledge of Illustrator. I am diving into becoming a serious Prop Maker and I want to make a logo to represent my work.
This is where I am at right now after a good amount of tweaking. Basically I want the silver/white/dark turquoise color scheme, and the image I was sort of going for was a vague representation of a workbench, particularly mine I just built from scratch recently.
I hope to get some feed back as to what could be changed, what I did right, and simply to know my logo is good enough before I officially release it to all my social media sites.
: InDesign: manual line break and justified text I have the following problem: Hi have a numbered list in which one of the paragraphs has a manual linebreak. Now normally this would not be a
I have the following problem:
Hi have a numbered list in which one of the paragraphs has a manual linebreak. Now normally this would not be a problem, however since I have set my text to justified, InDesign spaces that line out to ridiculous extents ...
InDesign does not show this behaviour with a "normal" carriage return. However by doing this my paragraph is of course split into two entries of my numbered list, which is not what I want:
Is there a way to format the text so that it does not get spaced out that much? Maybe a special setting for "justify text" which I haven't found yet that keeps InDesign from justifiying text if it reaches a certain threshold.
: Eraser does only paint white color instead of alpha channel I need to replace all white color in my image with an alpha channel, so that the area is transparent. Normally I would just select
I need to replace all white color in my image with an alpha channel, so that the area is transparent. Normally I would just select it and then press "DEL" to remove it, but this is the result:
Why is the area replaced with white color and not with transparency?
: Re: Remove Text From Background How can i remove the text from background of this image using gimp? The text is composed by different colors so i cannot use "color exchange" option for every
Deceptively simple. The orange color of the text is 100% red, 78% green, and 0% blue, and the rest of the image is black or white. So making a monochrome image from the red channel alone is enough. For this use Color>Components>Channel mixer, set to "Monochrome", and use Red=100%, Green=Blue=0%.
: InDesign: Have picture next to text, but keep it in the text flow Ok, I hope the title is descriptive enough, as I have no idea how one does call what I am about to ask lol Here's what
Ok, I hope the title is descriptive enough, as I have no idea how one does call what I am about to ask lol
Here's what I want:
I want a picture to be part of the textflow so that its position changes automatically depending on how much text comes above / below the picture. However the pictures are supposed to be next to the text, not above:
How would I go about that? Something with drop-caps maybe? I am rather clueless :(
: Re: Gimp Jagged Borders I'm trying to create a bordered, transparent circle. I created a circle with the ellipsis tool, then Select->Border, then Edit->Fill with FG Color. The result is a terribly
Another few solutions:
Subtraction of selection
Create circle selection which is the out edge of the line
Still with the Ellipse select tool, Ctrl-click (or click the "Subtract" mode tin the tool option) and make a selection for the inner edge. The inner selection subtracted from the outer one leaves a ring selection.
Bucket-fill the ring
To make things easier:
add two guides (H & V) that cross at the center of the circle
for both selections click on the center and start dragging from there (or use the Expand from center and Fixed aspect ratio options).
This methods work only on circles (or squares).
More general solution
For a random selection shape, the quickest solution is Edit>Stroke selection and pick the "Line" mode. However, the result doesn't always look clean, so most people instead you can use Bill Kerr's solution:
If you omit Select>None, the selection chops off the outer part of the stroke, so the outer edge of the line is along the selection (and you have to specify a line width which is twice what you want). With Select>None the line straddles the edge of the selection.
This is the built-in, solution, but the result isn't very clean
Using a path directly
There are scripts to generate paths for various geometric shapes that you cannot easily obtain from a selection (polygons...). Once you have the path you stroke it.
: Re: Why would I want to a use baseline grid in Illustrator cc? What are the benefits be of using a baseline grid in Illustrator for a limited amount of text?
tl;dr: the baseline grid is useful to align other, non-text objects to your text baselines to give your layout a very tight vertical rhythm.
A baseline grid is not just a tool for setting text in such a way that line-spacings are proportional and match in a single document. It also is a powerful tool in placing and aligning non-text objects in the layout.
One of the much-overlooked aspects of layout is that it's not just important to ask yourself where you place an object, but also why there. A very good 'why' is 'it aligns with something that was already there'.
Any layout, even one without any text, even an empty one, already has places to align to that are 'already there'. The paper edge, the margin, the mathematical centers; the golden ratio or the Rule of Thirds if you want to go fancy an draw some guides.
I always say that I'm looking for 'excuses' to put something where I put it. All those examples I just named are perfect excuses to align to. I am always looking for more lines, more excuses to which I can align objects. The baseline grid gives me tens of new horizontal excuses.
If you use the baseline grid to align non-text objects to your text baselines, you will reinforce the vertical rhythm that has been dictated by the grid. A lay-out just looks that much better when the edges of images align to text baselines. If you establish a vertical rhythm with a baseline grid in your text, and then break that by misaligning the edges of non-text objects, that's bad design. You have a multitude of aligning excuses in your grid. Use them.
: Re: Restore correct colour balance after "Colour to Alpha..." using GIMP I am running into this problem where removing a green screen using GIMP messes up the colour balance of the elements in the
Your initial image isn't correct. You removed the background, but you also removed white which isn't part of the background (for instance, the pips...). The same thing happens between images two and three, you remove green which isn't part of the background. You really have to cutout the dice, but the focus blur on the background dice makes it hard to do it properly.
The "contract" of Color-to-alpha is that when you have removed a color, putting the remaining image over a background filled with the removed color recreates the initial image. However there are many cases where there are several solutions, for instance, when removing white, a gray 50% (#808080) could become:
#808080 at 100% opacity #000000 at 50% opacity #404040 at 66.66% opacity
because all these combinations, over a white layer, would recreate the initial #808080.
But C2A always takes the (color,opacity) couple aims for the maximum transparency (#000000 at 50% here) which isn't always what you want, so you have to protects part that should remain opaque with a proper selection.
: InDesign: change dimensions of mulitple objects Is there a way to alter the size of multiple objects at once? For example those rounded rectangles in the screenshot have a height of 10 mm,
Is there a way to alter the size of multiple objects at once?
For example those rounded rectangles in the screenshot have a height of 10 mm, but I want to reduce all of them to 8 mm. From what I know I would have to select every single one of them and then adjust their size.
In applications like Sketch for example, you can select them all and change the height parameter to your desired value to change them all at once. Is this also somehow possible in InDesign?
: Re: How can i change the white background of the eps file to transparent? I want to change the white background my eps log to the transparent one. I have download GIMP and INKSCAPE but i don't
Usual technique in Gimp:
Open the file.
Layer → Transparency → Add alpha channel (if disabled then it’s already there).
Using the wand with a low threshold (<10), select the background (shift-click on any closed areas that aren't selected, such as the inside of the upper curve of the final S).
Select → Grow by one pixel (the selection should include the border pixels of the letters).
Color → Color to alpha and remove the white.
Result, transplanted on a contrasting red background to show the absence of halo or jagged edges:
: Re: How can I change all white pixels to black but keep the transparancy intact using Gimp? I have toolbar icons in a file that are all white with transparent background. Using gimp, how do
General case, any color to any color:
Click on the "Alpha-lock" icon, which is the small checkerboard icon in the "Lock" line at the top of the Layers list.
Bucket-fill the layer with the new color (black for you), the alpha lock will ensure that pixels keep they current opacity (this means, without any active selection, to use the bucket-fill with the "Fill whole selection" option.
Faster for your specific case (black to white or white to black):
Just use Colors>Invert
: Frosted blur fixed header in muse I would like to use a frosted fixed header in my website such as the one used on Apple’s website and in iOS in general. I would like my header to blur
I would like to use a frosted fixed header in my website such as the one used on Apple’s website and in iOS in general. I would like my header to blur out the content that is scrolling underneath it. I have the fixed header working fine and in place but I can’t find out how to go about the frosted blur in muse. Any ideas?
: Re: I can't use clipping mask I am new to illustrator and I find the 2017 version extremely hard to use and it makes me very stressed! I am making a logo for my team, and I have found a picture
tl;dr: To solve your problem, all you need to do is leave Isolation Mode, and then re-try to select both objects and apply the Clipping Mask.
As H.W. Sanden says, you need to select both objects. Likely, this is impossible in the situation you show in your screenshot, because you have entered the Isolation Mode for your clipping shape. Let me explain.
Isolation Mode is a mode in which you, you guessed it, isolate an object (or group of them) to work on that (group of) object(s) and them only. The rest of your object will be 'washed out', and locked. You can't interact with them in any useful way.
This is great if you actually want to just work on that object. It really sucks when you want to interact with other objects again, because entering and exiting Isolation Mode is very non-intuitive.
To enter Isolation Mode, use the Move tool (black arrow) and double-click on any object or group.
To exit Isolation Mode again, either click the arrow pointing left on top left of the document, right under the tabs with opened document names or double click with the Move tool on any spot where there are no selectable objects.
: How to add dates on each page for a journal? I’m trying to create a journal for 2018 with each day’s date on each page. I’ve searched the internet and the closest thing I got to was
I’m trying to create a journal for 2018 with each day’s date on each page. I’ve searched the internet and the closest thing I got to was having this text file with all the dates:
Monday, 01 January
Tuesday, 02 January
Wednesday, 03 January
How can I make them appear on each page without having to manually add them myself?
I’m also open to other quick fixes, but coding always gave me an error when I tried to edit “Mon” to “Monday” for example, and I still couldn’t get it to automatically fill the text boxes on each page.
: Re: Text on a curved path in GIMP I am trying to make some text follow a curved path in GIMP. I want it to look similar to the text on the "Galaxy Quest" posters. I have altered the text,
There is a new script that does exactly this:
Given a source path which is the path on which you start the script (active path or else) (in red)
You provide an envelope path made of two strokes (in blue)
The script produces the bent path (in green) by stretching the input path vertically.
The script only deals with the existing path control points and so is very fast.
ofn-bend-path is here, and is discussed/demoed there.
: Re: I want to learn anatomy without looking at nude pictures I really want to learn and find books about anatomy, but I don't know any book that teaches it without forcing me to look at naked
A few figure study/anatomy study websites have a "clothed" option. It is fairly easy to practice anatomy even when clothes are on, buy the bridgeman anatomy book too, most of it focus on the muscular part of the body, i'll leave some links for you:
Figure drawing website, make sure to tick the decent models thingie
One of the bridgeman books that helped me the most
: Are there any shortcomings to making layouts in InDesign to place in Photoshop? Is it a crazy idea to make artwork in InDesign and then export to JPG then place linked files inside Photoshop,
Is it a crazy idea to make artwork in InDesign and then export to JPG then place linked files inside Photoshop, then save for web export to GIF?
Should I just design it inside PS? it's just that I hate the type tool inside of PS and I can not seem to create a layout of guides quickly like you can in InDesign.
Basically I need to know what are the shortcomings of my work around please! Or is it OK to do what I'm doing?
: Re: Is there a median tool for colours? (Median between 2 colours) I'm working on a pixel sprite and I have 2 coloured pixels with 1 empty pixel gap between them. Is there any way (tool) to
Finding the exact colour code might depend on your current colour space, as mentioned in the comments. This method is colour-space agnostic and whould work in most software that supports layers.
Draw a pixel of colour A on a new layer;
Add a second layer on top of that, and draw a pixel of colour B exactly on top of pixel A;
Reduce layer B's opacity to 50%;
Merge the two layers;
Sample the resulting pixel's colour. That is the colour you are looking for.
Alternatively, you could also draw directly over pixel A in layer A with a 50% opaque brush in colour B to get the same effect. Faster, but less intuitive.
: How do I set 'Combine Shapes' to a default setting in Photoshop? I'm doing some linework for a perspective-rendered image and I need to draw lines frequently. I've turned the combine shapes
I'm doing some linework for a perspective-rendered image and I need to draw lines frequently. I've turned the combine shapes option on and it works... for one layer.
Is there a way to set this to be default on anything I'm working on?
: Is it possible to do Pathfinder-like operation to 3D objects? I created two 3D objects inside Illustrator, can Illustrator CC 2017 do some Pathfinder-like operations to these two objects? I want
I created two 3D objects inside Illustrator, can Illustrator CC 2017 do some Pathfinder-like operations to these two objects? I want to intersect them, is it possible?
: Will I get sued for my logo, even though the customer doesn’t know me? A few months ago I made a logo for a customer on Brandsupply. Brandsupply is a site that lets a customer upload their
A few months ago I made a logo for a customer on Brandsupply. Brandsupply is a site that lets a customer upload their ideas for a logo, and then choose the logo they want from the design that a bunch of designers created for them.
I got the idea for the logo from Shutterstock. If I would ever get sued in the future, will I be the one who’ll have to pay? The customer doesn’t have any way of my contacting me, except for mailing me. What would be the smartest thing to do?
The customer already said (before even choosing my logo) that if there ever has to be paid money for copyright, the designer will have to pay. But he simply typed this in a message; so of course it doesn’t mean much. Can I do anything to prevent trouble?
: Re: Edit a PDF while preserving quality I have a PDF file I need to cut some parts out of for a presentation. I tried doing this with GIMP and saving the result as a PDF. However when I zoom
I have dealt with this in many different ways. One that is easy and works in many situations is to take a screen shot of the part of the PDF that you need, at a high zoom level. Then, edit the resulting raster image. Because you zoom in to the PDF first, you create a large image that can be scaled, and will still have sufficient resolution for it to be zoomed itself. The only limitation is the size of your monitor, because most ways of capturing screen shots only let you capture one monitor's worth. However, again, if you are good with image editing, you can zoom into your PDF, capture it as more than one image (scroll to the parts you need), and then stitch the multiple images together. For anything but a photograph, this isn't that hard. Also, some screen capture programs actually do capture more than one screenfull -- see "ShareX" which is free and allows scrolling captures.
: Fonts licensing I would love a clear and simple rule of thumb about using fonts for a commercial purpose. Can I use pre installed fonts on my Mac like Arial for body copy. Do you need
I would love a clear and simple rule of thumb about using fonts for a commercial purpose.
Can I use pre installed fonts on my Mac like Arial for body copy. Do you need to buy the font in every instance?
I have a creative cloud subscription so I have read I can use typekit without buying individual licenses but what about if you discontinue the subscription and the font is already being used on a product or website?
Any clarification would be great thank you
: Re: How do I change the border radius for multiple points at the same time in the new Adobe Illustrator CC 2018? Since the last update of Illustrator the interface has become very clean. The border
You can do this in the Properties panel. In Window menu select Properties.
: Re: Trying to connect these objects but I can't snap to an element using Inkscape I'm using the freehand tool (F6) in Inkscape but when I enable snapping, it snaps to a grid point. Also, as "cables"
I suggest using the pen tool instead (Shift + F6). Assuming your drawings are vectors so you can snap to them, I would make a connector template like shown below. Line up the ends to make connections and with the direct selection tool (F2) select the nodes that make up the semi-circle and move them up/down left/right wherever to make a diagram.
: Sketch - Line linked to other objects Let's say I build a diagram with list of items (text), every text is linked with line to another to show relation. How can I snap line to text object,
Let's say I build a diagram with list of items (text), every text is linked with line to another to show relation. How can I snap line to text object, so when moving text, line will follow it's position? (another end of line will stick to other label)
: Re: How can I specify tracking in a logo file I deliver to the customer? I have made a logo in Illustrator and now I want to deliver it to our client. But I also want to send him a little
Logos shouldn't be reconstructed. Your file should be completely sufficient to display the logo anywhere. That means that, in a vector format logo file as you send it to your customer, text is converted to shapes / outlines. You can do this in Illustrator with Type > Create Outlines or Cmd/Ctrl+Shift+O.
Including text in a delivery file as a text object creates all kinds of headaches: any user opening the file lacking the exact same font file will have the font replaced, and they may not even be aware that has happened.
In the case that you would want to write a style guide that includes the negative tracking of a piece of text, '-25' is sufficient: tracking is expressed in a unit* which is relative to the font size. BE sure to specify the typeface and font to be used, as a certain negative tracking may look good with one typeface or font but not with another.
* The unit I was taught this is expressed in is thousands of an em, but that may very well be known under the names you listed.
: Re: Illustrator: How to quickly reset text styling? Upon placing a new text object, Illustrator uses whatever styling was used on the last text object you had selected. This can be annoying in some
Open the panel menu by clicking the menu button in the upper-right of the Character panel. Click on Reset Panel.